![]() Robert Downey Jr's Holmes is so fantastically eccentric. I think it must have something to do with the attitude. Robert's a bit all over the place but, if he's anything, he's backwards. #SHERLOCK HOLMES COSTUME FREE#They're wearing it in a very free kind of way. I think it does and I think it's through the attitude of the way they're wearing it. #SHERLOCK HOLMES COSTUME MOVIE#That movie is not real life-it's a moment, a fragment, in real life.Īs you said, everything in Sherlock Holmes was accurate, but there did seem to be a modern feel to the film. You just do it for what it is within its context. Steals them, whatever you like.Ī Room With a View is a much more straightforward story about really very English folk, so you have no need to push anything. Once I got the character- you know, he's so oddball-I thought, Where does he get his clothes from? As we know, he "borrows" them from Watson. And with Holmes, I always approached it from a storytelling point of view. But it is absolutely within its period in terms of shape and accessories. Everything in it is true-I just pushed the colors and, particularly with Irene, I just made it a bit more sculptural. So, at some moment, even our Sherlock Holmes is deeply rooted in the period. Once people start taking liberties, the costumes start getting self-conscious people start looking at them and wondering why it isn't quite right. Well, I think that for every film that I do within a period, it's always better if you keep to the period. Can you be a little more liberal with the fashions in a movie like Sherlock Holmes than with a true period piece like A Room With a View? You won an Academy Award for A Room With a View. He copes with all of this press and all of this paparazzi stuff and he just copes with it. I know what was shot but I haven't actually seen it. I was invited to both premieres but I'm shooting a film that's just relentless. I'm at a disadvantage to you I haven't actually seen the finished movie yet. Many pieces of clothing were indeed on fire. There is that scene with the long, drawn out explosion where clothes are on fire. That's what I took to the interview and that's what Guy responded to. And they just felt right for Sherlock Holmes's steamy, rank, underbelly of London. Gustave Doré did the most wonderful etchings of London in the 1870s and wrote a book, London: A Pilgrimage. Of course, all the time you're doing that you're re-reading the script so, in the end, it sort of seeps into your soul, really. I do a day breakdown and I work out a list of what each character needs for each scene and whether they're liable to need stunts what we're going to double and what the action sequences are. So on an absolutely basic level, I take the script-and I do it all by hand, I don't do it on the computer-and I simply work out the logistics. Basically, on any film, it's all about the script and the director's approach to the script. But I think with the visual effects, you probably won't notice where they start and finish. I think they added quite a lot through replications and visual effects. Jenny Beavan: You know what? The movie we made, I don't think it was that big. "I think we're justified in what we did even though, for some, it may be a transgression beyond." ![]() In Robert Downey Jr.'s interpretation of Arthur Conan Doyle’s sleuth, gone are the musty deerstalker hat and pipe, replaced-refreshed, some might say-by a borderline iconoclastic, but never anachronistic, bohemian look, which Beavan adamantly defends. ![]() “I can't even remember what I've done in my career!" Part of Beavan's job is to set the mood, something she's done to great effect, however unwittingly, for our conversation.īeavan shares her thoughts on reimagining one of the most iconic characters from literature and film. "I've driven six hours down through snowy Britain, in a rather small car, sliding around on motorways,” says Beavan. It’s understandable, considering that the eight-time Academy Award nominee for best costume design (winning in 1986 for A Room with a View), and the woman entrusted with bringing the fashion of 1891 alive for Guy Ritchie's Sherlock Holmes, is currently parked on the side of a highway in the middle of a blizzard. ![]() You'll have to excuse Jenny Beavan if she sounds flustered. Watson and Sherlock Holmes, in Guy Ritchie's new take on Arthur Conan Doyle's sleuth. What Up, Holmes? Jude Law and Robert Downey Jr. ![]()
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